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		'Sing to Him and play to Him. Muse on all His wonders'
		(Psalm 105.2)  
		
		
		1When 
		Jesus saw his mother, and with her the disciple whom he loved,  
		
		
		2The 
		time came for Elizabeth to give birth, and she gave birth to a son.  
		
		
		3The 
		angels said to her, Woman, why are you weeping? She answered them:  
		
		4When 
		Aaron saw this, he built an altar before the calf and proclaimed: 
		Tomorrow is a feast to honour the Lord.  
		
		5They 
		said, "We have killed Christ Jesus, the son of Mary, the messenger of 
		God." -  
		
		 
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MILLENNIUM 
MUSIC  POETRY
essence  Alpha et Omega
Table of contents of each chapter
Musical Introduction
Overture
Entretemps
»significatio passiva«
Zhikr
Prologue 
A. 
Book of 
Chants
B.  
Situation: Anamnesis und 
anā-lysis
C. 
I. 
		
		Of the Inner Images
    II. 
Of the masters’ understanding
D. 
Dieu sensible 
au Cœur 
E. 
Heartsore and Resilience
F. God's Miracles
G. 
Questions
 
H. 
Appeal to the Women
I. 
Global Warning
   
Psyche-Analysis Spiritualis
J.
Interfaith Dialogue – Interreligious Sciences
K. 
Ethics and Planetary Consciousness
 
 
L.  
Knowledge and und Vision
M. 
 
I. Sacred science is the creatrix of the New Age
 
     
II.
 
Worship 
of the Feminine side of God
     
III. 
Soul culture and Planetary Consciousness
    
 
IV.
				
				
The significance of mercy
    
 
V.
				
				Holy Grail – In the evening there will be light  
     
VI.
				
Of 
				the marriage
N. 
				
Cultural Heart and Immaculate Conception
O.   
Relationship situation on Planet Earth
P. 
About 
healing hormones and poisoning substances
Q.     
 
Integral Ethics 
     
 
Dialogue
R. Women-Universel-Global-Ethics
S.
Healing 
with the rainbow serpent
T. 
 
Interreligious Sciences of Sacred 
Art Therapy
U. 
The Religion after 
the religions
V. Transcultural 
Mentoring  
W.
Synthesis – The therapeutic cultural heritage of humanity
X.   
 
Prayers 
and Songs
Y.
Universel
Z.  
last words
Interreligious Sciences of Sacred Art Therapy (ISSAT)
Omega
Canticum Graduum
The Cosmic Mandala
		
Vom Flügelschlag der Schmetterlinge